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9TH SWANSEA INTERNATIONAL SALON 2013

 

 

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2013/168 Recognition L130025-M1G2S
     
RPS logo
  RPS 2013/19  

 

  • Home
  • Judges
  • Rules
  • Definition
  • Entry form
  • Table Book
  • E-Catalogue

 

Sections
Colour PID Monochrome PID
People PID Nature
Travel Transport PID
Dates
Closing date 30.09.2013
Judging 22-31.10.2013
Notification emails 05.11.2013
Catalogue & awards posted 17.12.2013

 

6 Sections
Entry fees UK £12
Entry fees overseas £14

 

Exhibition Chairman
Phil Elias.10 Ffordd y Glowr, Pontardulais. Swansea. SA4 8ED United Kingdom
swanseaintsalon@btinternet.com
ALL ENTRIES MUST BE MADE VIA THE WEB
Digital images should be a maximum of 1400 x 1050 pxs and saved as a .jpg
Titles are required but a maximum of 30 characters. There is no need for a specific format for file names.

 

AWARDS
  Colour Mono People Nature Travel Transport
PSA Gold - Best in show Medal
FIAP Gold - Social documentary Medal          
FIAP Silver - Best pictorial Medal  
FIAP Blue Badge - Highest acceptances Badge            
UPI Gold - Best at work Medal          
UPI Silver - Best Flora/Forna Medal          
UPI Silver - Best Steam train Medal          
RPS Gold - Transport Medal          
RPS Silver - Best Land/Sea scape Medal        
Judges Certificates 3 per section Cert
UPI Judges Certificates 3 per section Cert
FIAP Ribbon 3 per section Ribbon
PSA Ribbon 3 per section Ribbon
RPS Ribbon 3 per section Ribbon
Highly Commended approx 25 per section  
Swansea Medals - Gold              
Best Still life Medal        
Best Sport Medal          
Best Geological Medal          
Best Insects Medal          
Best Transport Medal          
Best Train Medal          
Best Cityscape Medal          
Best Creative Medal        
Best Person/Group Medal        

Free counters!

The International team is:-

Phil Elias, Phil Davies, Graham Davies and Rosemary Crahart

 

Judges
Colour Ian Ledgard EFIAP/s;PPSA Harry Gardener AWPF Jill Baxter EFIAP/s
Mono Peter Young CPAGB;APAGB Ian Ledgard EFIAP/s;PPSA Hywel Harris FRPS;Ba hon Photo
People Peter Young CPAGB;APAGB John Pile AFIAP;DPAGB Mervyn Pugh PPSA
Nature Harold Grenfell FRPS Dennis Russ AFIAP;AWPF Jan Cowley EFIAP/s
Travel John Pile AFIAP;DPAGB Jan Cawley EFIAP/s Susan Ashford AFIAP;AWPF
Transport John Pile AFIAP;DPAGB Ed Cloutman EFIAPSusan Ashford AFIAP;AWPF
   
Reserves Graham Davies EFIAP;UPI 1 crown Ann Davies EFIAP/b;UPI 1 crown Phil Davies EFIAP;UPI 1 crown

 

Rules and Conditions of Entry

  1. Entry is open to all photographers worldwide, amateur and professional.
    A - Colour - PID.
    B - Monochrome - PID.
    C - People - PID.
    D - Nature.
    E - Travel.
    F - Transport - PID.
  2. All acceptances count towards FIAP, PSA, RPS and UPI awards. The FIAP country is Wales.
  3. Entries to be submitted via the internet only.
  4. The digital image must be a maximum of 1400 pixels wide x 1050 pixels high (including any borders) and saved as a  large JPEG.
  5. Each entrant is limited to 4 images per section. THE SAME IMAGE MUST NOT BE SUBMITTED IN MORE THAN ONE SECTION. Images will be judged using a large plasma display screen. No information about the entrant or country will be given to the selectors.
  6. Titles of images will be used in the catalogue and must have NO MORE THAN 30 CHARACTERS. All other information will be collected from the online entry system.
  7. Images  accepted in a previous Swansea Salon, or which, in the opinion of the organisers, are too similar to those accepted in a previous Swansea Salons are not eligible.
  8. Permission is assumed to reproduce any image (at low resolution) in an internet exhibition and in the salon catalogue.
  9. The organisers may refuse to accept an entry, image or title at their discretion.
  10. The exhibition accepts no liability for any misuse of copyright. Copyright of all images will be retained by the author.
  11. PayPal is the preferred payment method. As an alternative, cash (£, €, $)or cheque made payable to Swansea International Salon. PLEASE NOTE, ONLY STERLING CHEQUES DRAWN ON UK BANKS WILL BE ACCEPTED. Entries without fees will be rejected.
  12. This competition is run under FIAP, PSA, RPS and UPI rules.
  13. All entrants will be sent a CD catalogue on disk.
  14. Available for the first time this year will be an A4 coffee table book at an extra cost of £12. It will be produced on good quality gloss paper, with a semi-hard cover and over 100 pages. All images receiving an award will be included, plus a further selection of 400 accepted images from all sections. The cost of the book will includ delivery by surface mail.
  15. By submitting an entry, the entrant certifies the work is original and their own, and permits the Salon organisers to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. The exhibition assumes no liability for any misuse of copyright. For digital imaging section(s) images may be acquired digitally, or scanned from traditional film to create a digital file.
  16. SUBMISSION of an entry signifies acceptance of all our conditions.
  17. PSA - PID- DEFINITION. An exhibition may elect to exclude images that meet the PID Monochrome definition from being entered in a Color Class section. Any such exclusion must be clearly stated in the Conditions of Entry (Entry Form). The Conditions of Entry (Entry Form) for all PID recognized sections must state one or both of the following depending of the classes sponsored: Acceptances in PID recognized Color sections shall be credited towards PID Color Star Ratings and Who’s Who Color listings. Monochrome images accepted in PID recognized Color sections shall only be credited towards PID Color Star Ratings. Acceptances in PID recognized Monochrome sections shall be credited towards PID Monochrome Star Ratings and Who’s Who Monochrome listings. All acceptance eligibility shall be in accordance with the PID Star Ratings or the Galaxy/Diamond Ratings requirements as appropriate. In addition to paragraph i. of Section 5 above, if the exhibition sponsored CPID and/or EID recognized sections in prior years, the Conditions of Entry (Entry Form) must state:
    An image that was accepted in a prior CPID or EID recognized section of this exhibition may not be entered in a PID recognized Color section of this exhibition.

PSA conditions RPS statement

UPI licence fiap statement

FIAP Definitions

Black and white photography (monochrome)
This definition supersedes the Document 223 and the INFO 1991/12. A black and white work fitting from the very dark grey (black) to the very clear grey (white) is a monochrome work with the various shades of grey. A black and white work toned entirely in a single colour will remain a monochrome work able to stand in the black and white category; such a work can be reproduced in black and white in the catalogue of a salon under FIAP Patronage. On the other hand a black and white work modified by a partial toning or by the addition of one colour becomes a colour work (polychrome) to stand in the colour category; such a work requires colour reproduction in the catalogue of a salon under FIAP Patronage.

La photographie noir-blanc (monochrome)
Cette définition remplace le Document 223 et l'INFO 1991/12. Une oeuvre noir-blanc allant du gris très foncé (noir) au gris très clair (blanc) est une oeuvre monochrome aux différentes nuances de gris. Une oeuvre noir-blanc virée intégralement dans une seule couleur restera une oeuvre monochrome pouvant figurer dans la catégorie noir-blanc; une telle oeuvre peut être reproduite en noir et blanc dans le catalogue d'un salon sous Patronage FIAP. Par contre une oeuvre noir-blanc modifiée par un virage partiel ou l'ajout d'une couleur devient une oeuvre couleur (polychrome) devant figurer dans la catégorie couleur; une telle oeuvre nécessite la reproduction en couleur dans le catalogue d'un salon sous Patronage FIAP.

Der Schwarzweißfotografie (monochrom)
Diese Definition ersetzt das Dokument 223 und INFO 1991/12. Ein Schwarzweißfoto, das von einem sehr dunklen Grauton (schwarz) in einen sehr hellen Grauton (weiß) übergeht, ist ein monochromes Werk, bestehend aus verschiedenen Grautönen. Ein Schwarzweißfoto, das gänzlich in einer einzigen Farbe getont wird, bleibt ein monochromes Werk und gehört zur Kategorie Schwarzweiß; ein solches Werk kann in dem Katalog eines Salons mit FIAP-Patronat in schwarzweiß reproduziert werden. Dagegen wird ein Schwarzweißfoto, das man teilweise mit einer Tonung oder durch die Hinzufügung einer Farbe abändert, zu einem Farbfoto (Polychrom) und gehört zur Kategorie Farbe; ein solches Werk muss in dem Katalog eines Salons mit FIAPPatronat in Farbe reproduziert werden.

La fotografía negro y blanco (monocromo)
Esta definición reemplaza el Documento 223 y el INFO 1991/12. Una obra negro y blanco yendo del gris mas oscuro (negro) al gris muy claro (blanco) es una obra monocromo a los diferentes matices de grises. Una obra negro y blanco virada íntegramente en un solo color quedará una obra monocromo pudiendo figurar en la categoría negro y blanco; una tal obra puede ser reproducida en negro y blanco en el catalogo de un salón bajo Patrocinio FIAP. Por contra una obra negro y blanco modificada por un viraje parcial o el añadido de un color deviene una obra color (policromo) debiendo figurar en la categoría color; una tal obra necesita la reproducción en color en el catalogo de un salón bajo Patrocinio FIAP.

Nature Photography
Nature photography depicts living, untamed animals and uncultivated plants in a natural habitat, geology and the wide diversity of natural phenomena, from insects to icebergs. Photographs of animals which are domesticated, caged or under any form of restraint, as well as photographs of cultivated plants are ineligible. Minimal evidence of humans Is acceptable for nature subjects, such as barn owls or storks. adapting to an environment modified by humans, or natural forces, like hurricanes or tidal waves, reclaiming it. The original image must have been taken by the photographer, whatever photographic medium is used. Any manipulation or modification to the original image is limited to minor retouching of blemishes and must not alter the content of the original scene. After satisfying the above requirements, every effort should be made to use the highest level of artistic skill in al) nature photographs.

La Photographie Nature
La photographie nature représente des animaux vivants non apprivoisés et des plantes non cultivées dans leur environnement naturel, la géologie et la grande diversité des phénomènes
naturels, allant des insectes aux icebergs. Des photos d'animaux domestiqués, tenus en cage ou soumis à une quelconque forme de restriction, ainsi que des photos de plantes cultivées, sont inadmissibles. Une intervention minimale de l'homme est acceptable pour des sujets nature, comme par exemple des hiboux de grange ou des cigognes, s'adaptant à un environnement modifié par l'action de l'homme, ou des forces naturelles tel que des ouragans ou des raz-de-marée, le revendiquant. La photo originale doit être prise par le photographe, peu importe le procédé photographique. Toute manipulation ou modification de la prise de vue originale doit se limiter à de minimes retouches d'imperfections et ne peut en aucun cas modifier le contenu de la scène originale. Après avoir satisfait ces conditions, tout effort sera fait, afin que toutes les photos nature soient duplus haut niveau artistique.

PSA Definitions

General:
Entries must originate as photographs (image-capture of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his/her own and permits the sponsors to reproduce all or part of the entered material free of charge for publication and / or display in media related to the exhibition. This may include low resolution posting on a website. The exhibition assumes no liability for any misuse of copyright. Images may be altered, either electronically or otherwise, by the maker and artwork or computer graphics created by the entrant may be incorporated if the photographic content predominates.

Photo Travel:
A Photo Travel image must express the feeling of a time and place, and portray a land, its people, or a culture in its natural state. Photo Travel images have no geographical limitations. Ultra close-ups, which lose their identity and studio-type model shots, are unacceptable. Techniques that add to, relocate, replace or remove any element of the original image, except by cropping, are not permitted. Techniques that enhance the presentation of the image without changing the photo travel content are permitted. All adjustments must appear natural.

Nature:
Nature photography is restricted to the use of the photographic process to depict observations from all branches of natural history, except anthropology and archeology, in such a fashion that a well-informed person will be able to identify the subject material and to certify as to its honest presentation. The telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality. Human elements shall not be present, except where those human elements enhance the nature story. The presence of scientific bands, scientific tags or radio collars on wild animals is permissible. Photographs of artificially produced hybrid plants or animals, mounted specimens,or obviously set arrangements, are ineligible, as is any form of manipulation that alters the truth of the photographic statement. No techniques that add to, relocate, replace, or remove pictorial elements except by cropping are permitted. Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content are permitted. All adjustments must appear natural. Color images can be converted to grayscale monochrome. Infrared images are not allowed.

Monochrome:
A monochrome image is defined as having varying shades of no more than one color (various shades of that color from very light to very dark) but it may be any single color. Multi-toned images (various shades of two or more colors) and greyscale images with added an accent color are not acceptable in Monochrome Class sections and must be entered in Color Class sections.

enter competition button

Tutorials are available to assist you in completing the Entry Form, see below.
Entry form help Digital entry help adobe readerAdobe Reader

Special offer

First-time opportunity from the Swansea International Salon
 
Why not impress your friends with a
 top-class presentation book

With over 400 images of the 2013 Salon entries
and a semi-hard cover, this quality A4 book of over 100 pages with images in both monochrome and full colour will include all the award winners
plus selected images from all sections

 It will replace the previous catalogue which has become too expensive
to both produce and send out

The cost of the book is £12 and will be delivered with your CD catalogue
Airmail delivery is available for an extra £4

To order this publication, please fill in your entry form for the competition
and then order the book through the special selection page

This limited offer is only open to Swansea International Salon entrants
and members of Swansea Camera Club.

2012 catalogue

The names and titles have been taken from your Entry Form and cannot be changed.
The E-Catalogue has been updated after proof reading.

These are some of the advantages of our E-Catalogue.

Print
You can print the pages of the book by clicking Print

Print button button.

Settings
Select your prefered language from the Select Language drop down list.

Search

Search button button

Search keyworks within the book.The search keyword box will appear.


Search page


Please input keyword(s) in the search field and click Search button to start search. The search result will be listed at the bottom of the dialog.


Search results
You can click the item in the list to jump to the page.

 

Highlights to the page:

  1. Click Highlight On Highlight button, you will see your mouse cursor changed to a "highlight pen" Highlight pencursor.
  2. Drag and draw the highlight area on the page.

Highlight page


After adding the highlight area, you can click the on the highlight area and a Note box will be shown for you to enter some notes. In the note box, you can input text about the highlight and change the default color of highlight by clicking the Color box Colour box.


Note box

 

To exit from highlight mode, please click Highlight Off Highlight button.